Beloved vintage-style YouTuber Rachel Maksy took to the internet to debunk some misconceptions, featuring a lineup of vintage enthusiasts on her channel. While some may argue that one who dresses in a vintage style views a problematic past through rose-colored glasses, equating one’s morals to their appearance is contradictory. Since society once used these clothes to support restrictive ideals, such as performed femininity or subservience, some believe the garments are instantly compliant with such beliefs. During this time, submissiveness was taught to women, as was the principle that appearances equated to inner worth. For instance, ditsy femininity was expected when poodle skirts had their campy 1950s heyday. However, the vintage community reclaims the garments to create a more progressive future. Historically, society used these styles to uphold certain ideals. But, beyond its snappiness, the motto features notions of inclusivity and accessibility that were not necessarily present during the peak popularity of vintage styles. One can find the mantra in different contexts: on pins, Instagram infographics and posters at feminist protests. In Burlesque Galaxy, Wellington writes that though the phrase “will have slightly different meanings to different people, to me it means this: though my style and my clothes may be old-timey, my values and perspective on social issues are not.” Beyond his excellent style, Wellington was one of the first to popularize the phrase “Vintage Style, Not Vintage Values,” bringing advocacy to the table alongside his debonair outfits. Wellington seems like the type of person one would drink scotch with in a film noir.
His style is polished and reminiscent of retro jazz performers, with bow ties and boater hats abound. Adorned in Oxfords and a sharp tweed suit, Dandy Wellington poses for the camera, transporting his fans from the 21st century into the opulent fabulousness of bygone days.